Writing Tips: Naming Your Characters

Names are delicious to me.  I love how the sound and meanings of them filter through my mind and how they immediately give an image of the person they fit.  Naming my own children was such a lovely, slow process.  How to pick from all the wonderful choices and the phonetic combinations and to avoid the pitfalls of names easily tuned up with silly associations or nicknames a child might not wish to carry for a lifetime was the challenge.

My children number two, hardly enough to satisfy my desire to use the dozens more names on my list.  Happily, my offspring are satisfied with their monikers and I found another way to satisfy my naming fetish.

I name characters.  Sometimes a dozen or two in a book.  It is great fun and a careful process.  I admit that most of the time my protagonists show up in my head and introduce themselves.  They do, however, willingly submit to name changes, if need be, or the addition of a surname.

Roman, the hero in Dark Splendor and Dark Prelude, needed a surname and a name for his brother.  They became Roman and Morgan Toller, names which seemed appropriate for strong, virile, colonial era men of German descent.

Silvia Bradstreet, heroine of the same books, needed a surname that was not aristocratic and which told of her British heritage.

Amanda Fairfax hints at the sweetness and beauty of the heroine of  Whispers at Midnight, another colonial era romance.

In Whispers At Midnight, hero Ryne Sullivan has a brother named Gardner.  It is easy to tell who is the more steadfast of the two.

Switching to Westerns, I chose Tabor Stanton as the handle for the hero in Delilah’s Flame, an uncommon name for an uncommon man of the west.

Which he had to be to contend with the heroine, Lilah Damon, a soft-hearted woman with a duplicitous nature.  Her alias is Delilah.

There are scores more names in each of my books.  I strive to make each choice distinctive and a good fit for the character and the story and the genre.  Names imply much about personality and station in life for characters.  I rarely use names of my friends and family, but occasionally I sneak one in.

I’m sure most readers would agree the names of characters add a special dimension to a story and a carefully chosen name can make a character more real and memorable.

For tips on how to choose names for your characters, read “Name That Character”, my guest blog post on Writers Unite.  Thanks to Writers Unite for featuring me and for the terrific support they give writers.

An Excerpt from Delilah’s Flame

 

Delilah’s Flame

Smiling, Delilah invited Tabor to a table and asked Fat Jack to send over the bottle of French wine she’d had delivered to the bar. One thing she had never been able to master was drinking the horrible whiskey these places served. While she waited, she gave Ta­bor, seated beside her, an analytical look. Rugged, he had a trace of arrogance only half-hidden in the gray eyes. That at least didn’t surprise her. His hair was black, a bit too long. Did that mean he couldn’t afford the price of a haircut? At least he was clean and smelled . . . rather nice.

The barkeep came and poured her wine. She eyed her companion more discreetly now: worn boots, gray cord pants, a black shirt and leather vest. The gunbelt and ivory-handled guns were probably the most ex­pensive items of his attire. He didn’t look as if he’d fared as well financially as his former companions. She saw a ray of hope. If Stanton had become just a drifter or cowhand, concocting a quick plan would be easy. She could be done with Tabor Stanton before she left Yuba City.

Her eyes narrowed slightly. “Won’t you join me?” she asked, signaling the barkeep to wait a moment.

“No, thank you. I’ll stay with whiskey.” Reluctantly the barkeep left, his gaze so intent on Delilah he backed into a customer and got splashed with beer.

Tabor’s eyes hovered on her too. With the grace and refinement of a duchess she sipped her wine. He could easily believe the talk that she was from down-in-the-pocket British aristocracy. As a naval officer he had spent time in England. Only the years of training genteel British girls received in the social arts could account for her elegant manners.

He couldn’t figure Delilah out. That diamond around her throat would keep a good-size estate running a couple of years. That she had so much tied up in the diamonds dispelled the theory she was in need. She was a riddle, all right, a beautiful, tempting one. A grin manifested itself on his lips as he recalled he had always liked a good riddle.

Thank you for stopping by to read an excerpt from Delilah’s Flame, an Historical Western Romance by Andrea Parnell

Purchase Delilah’s Flame at these stores now:

Romantic Heroes And Their Loves

Writing a romance you get to fall in love with a new guy for a while.  When the book is finished and in the hands of readers, you say goodbye to your hero and move on to the next man in your life.  Breaking up is sad and difficult but in your writer’s heart you know he’ll be back and no matter how many fans and new sweethearts he has, you will always be his first love.

The heroes in my novels have been flaxen-haired, ebony-haired, had blue eyes and brown and shades of each, though I admit a weakness for the black-haired, blue-eyed heart-throb. They are generally tall and muscular, sometimes lean and fit. They have amazing prowess and are generally the sort of men who have to peel women off them.

A little dark and dangerous in spirit, but good deep down and an ever ready champion of those in need. Those are the loves of my life. Bad boys, good hearts.

Roman Toller in Dark Splendor is blonde and bold and forgets he is supposed to be a gentleman way too much.  Ryne Sullivan in Whispers at Midnight looks nothing like my predecessor love, Roman, but is equally negligent of his gentlemanly skills. Dark-haired Tabor Stanton in Delilah’s Flame has good reason to forget how to treat a lady, and he does.

Blame Lilah Damon. She deliberately forgets she is a lady of society. As Delilah she is bawdy and bad and adventurous and bent on revenge and really good at making men pay for their wrongs. Tabor doesn’t like the price and sets another.

Lilah is a redhead. I always thought it would be fun to have red hair. And it is! I’ve tried it twice as heroines in my books. Those girls have pluck!

Amanda Fairfax in Whispers at Midnight matches wits with Ryne and loses her heart just where she wants it to be found. Beauty, fierce determination that neither ghosts nor villains could break. Amanda gets her man and more.

Silvia Bradstreet, my first heroine for romantic readers, has all a damsel in distress must. She is lovely, vulnerable, curious to a fault, drawn to Roman, a man she cannot trust, and trapped on an island where there is no escape. Did I mention she has the wardrobe of a princess?

Slipping into the skin of a heroine is as heady as gazing into the blue, amber, green or gray eyes of a hero. It is love.

Fall in love again, in a past century. Roman, Ryne and Tabor will make the heart beat faster. Silvia, Amanda and Lilah will renew what you love about being a woman, or what you are looking for in one.

Watch out for villains. They are sure to show up in another post.  Like the heroes and heroines from my heart, the bad guys never behave as I expect.  Listen for the knock.

Unclenched

Romance covers have evolved.  The clench, that passionate embrace with the love-charged gazes, ruled romance covers for decades.  Historicals generally featured a pair of stunningly attractive models in period costume and in a daringly posed clench who were photographed then painted in acrylic on canvas.  The clench cover was effective when books were displayed on shelves in book stores, superstores and grocery stores in abundance.

Over time the women featured on romance covers have evolved from support role heroines to heroines in a fantasy to today’s stronger heroine who is more in a partnership with the hero.  Many newer covers feature a woman alone or dominating a man.  Paranormal romances are a significant part of the market at present and showcase heroines for every imagination. Vampire hunters, military women and what a recent article referred to as “butt-kicking babes” have emerged.

Covers today are likely to feature a headless couple with knockout bodies allowing the reader’s imagination to determine exactly what they look like.  Others feature only the hero, allowing the reader to insert themselves as heroine or they feature only the heroine so that the reader can appreciate that she is the strong, dominate character.

More and more books are purchased online or as ebooks and the way covers are produced has changed as well.  Most appear to be produced straight from photographs, skipping the artist with a brush.  Ebook purchasers may be looking at only a stamp sized cover so it must have punch.

The gorgeous covers for the e-versions of my books Dark Splendor and Whispers at Midnight were designed by Frauke Spanuth at Croco Designs.  Any reservations I had about digital art covers was quickly put to rest when I saw her work.  The covers are terrific and capture the historical elements of the Gothic storyline in an edgier, high impact way that is right for today’s market and the eBook trade.  I have always appreciated cover art and now I am a fan of Croco Designs. I am eagerly awaiting Croco’s cover concept for my next release, Delilah’s Flame, a Western Historical Romance.

I mean it when I say I appreciate cover art. In my house is a four by eight foot poster of my Western Historical Romance Devil Moon given to me by my publisher after a conference in Nashville. It’s by Pino.  It hangs in my office.  I’ve seen it every day for years and still love the colors and the romantic pose (and, of course, that it is my book).

Covers will continue to evolve as technology continues to change the way we connect with books.  Clench covers will hang on even if there are fewer of them.  I’m hanging on to my library of paperback romance novels.  Those original covers may become desirable collectibles one day and the stories are still great.

Covers change.  Romance lives on.

Author Andrea Parnell snapshot with cover model Fabio

 

 

postscript: Fabio, the epitome of cover hunks graciously posed with me at a writers conference in California.  It was a fun moment.